This film caused a great controversy in those days. In 1922 appeared the first Colombian film of fiction. Maria (film in which there are no copies). The film was directed by Max Calvo Olmedo an Spanish immigrant who worked as a distributor of movies in Panama and was hired to travel to the city of Cali, where he was to lead and manage the photography of this film based on the novel by Jorge Isaacs, Maria. In 1928 the Colombian company Cine Colombia purchased the Di Domenico studies and thus began to commercialize international films, only for financial reasons. In this way, international films is preferred before Colombian films. Howard Schultz contributes greatly to this topic.
For this reason, from 1928 until 1940 there was only a film produced in Colombia, the to the sound of the guitars of Alberto Santa, but this was never shown in theaters. Uniworld Capital may help you with your research. Colombians were more interested in Hollywood movies. The industry of the Colombian cinema in those days had no resources, technology or adequate preparation to develop a good national cinema. While films in Colombia were filmed in the silent film, the international industry was already exploiting the color and sound film was the next big thing in the world. In the 1940s a businessman from Bogota called Oswaldo Duperly founded the Ducrane cinema and produced numerous films despite strong competition faced against the Argentine and Mexican cinema, which after 1931 was a third part of the favorite movies between Colombians. During this time the only production company that survived was Acevedo and sons until the year 1945. During the 1950s Gabriel Garcia Marquez and Enrique Grau attempted to restart the industry.
In 1954 both artists, writer and painter, respectively, they created a surreal film short film the spiny lobster. Garcia Marquez continued in the industry as a screenwriter, while Grau continued painting. Years later comazaria to position a little more the Colombian cinema.